®
ICING MIX #11
(for Hi-Lighted Hi-Metallic Effects)

TECHNICAL BULLETIN
(Nov. 2005)
ICING MIX No. 11 is a stronger and finer version of regular ICING MIX (No. 8) and as such permits you to use a much higher concentration of metallic powder into the mix, i.e. up to 1 part metallic to 1 part ICING MIX No. 11 (Volumetrically). The resultant metallic-rich composite allows greater freedom in achieving not only a greater variety of truly rich metallic effects, but also dramatic Hi-Lighting by burnishing.

ICING MIX No. 11 can be used either as the final metallic layering(s) on a directly modelled sculpture, or as the brush-in "face" coat on the mold in lay-up casting. For the modelling process, the mixing water is of the order of 30 parts water to 100 parts (volumetrically) of the dry Icing / Metallic mix -- this will vary slightly depending on the metallic powder used, i.e. Bronze, Brass, Copper, Iron (or mixtures thereof). To achieve the desired "brushability" consistency into a casting mold, a small amount of additional water is required.

Allow at least 3 days for the finished surface (be it modelled or cast) to dry-cure and harden before proceeding with the patination process and follow-up burnishing. The surface increases in hardness with additional dry-curing time, which in turn affects the success of your burnishing efforts. Burnishing of designated Hi-Lighted areas is easiest and best when done on a surface that has been lightly rubbed down smooth with carborundum paper (#320 - #400). This rub should be done preferably before the patina chemical is applied as it bares the "metallics" for better re-activity.

Burnishing is simply the process of rubbing the areas designated for Hi-Lighting with a soft-bristled brass brush or preferably a small, flat strip of brass metal. Continue rubbing the surface with rapid back-and-forth strokes until a shiny gloss is achieved. (Note: Different effects can be achieved by using a burnishing tool (strip) of different metals or material e.g. copper, sterling silver, ivory, etc.)

Apply a coat(s) of acrylic sealer to increase the gloss of the burnished surface. An alternative is to apply a high carnauba paste wax directly to the burnished surface (or over the acrylic sealer) which allows you to control the degree of sheen simply by varying the buffing/polishing effort. (Refer to respective Technical Bulletins for additional details.)

The Material Safety Data Sheet  for this product should be read before using and is available upon request.

This product is safe to use with proper handling and precautions. Read and follow directions carefully.

IMPORTANT- The information contained in this Technical Bulletin is considered accurate.  However, no warranty is expressed or implied regarding the accuracy of the data, the results to be obtained from the use thereof, or that any such use will not infringe a patent.  User shall determine the suitability of the product for its intended application and assumes all risk and liability whatsoever in connection therewith.